"Chicago-based artist Carris Adams unpacks language through painting and drawing. In explaining her practice, Adams states: “I believe that systemic inequality is embedded in the landscape through various signs and signifiers. By sign, I am referring to the literal, symbolic or semiotic use of the word.” And just as important as the meaning of words is their subtext, or what she calls “between the in between.”
In particular, Adams finds herself drawn to images or objects that refer to blackness: “This can be ideas of blackness through history, celebration, remembrance, martyrdom, stereotypes and resilience.” She painted “Lady Mocha Boutique” after coming across a store for plus-sized women on the South Side.
While I applaud the small business owner and her exclamation that her body (and bodies like hers) are sexy and will continue to be sexy, I laugh at the name of the boutique because I can’t help but think of women of color being described as edible objects all the time. I’ve never heard of a white woman being describe as a Vanilla Latte.
The painting is featured among the artist’s selected works below, which are accompanied by a literary pairing of her choosing. By transforming everyday signs into art, Adams revisits the negative connotations of words associated with otherness and, instead, reveals “the beauty and resilience of people to recreate, build and love.”
— Introduction by Mimi Wong, Enumerate Editor
In particular, Adams finds herself drawn to images or objects that refer to blackness: “This can be ideas of blackness through history, celebration, remembrance, martyrdom, stereotypes and resilience.” She painted “Lady Mocha Boutique” after coming across a store for plus-sized women on the South Side.
While I applaud the small business owner and her exclamation that her body (and bodies like hers) are sexy and will continue to be sexy, I laugh at the name of the boutique because I can’t help but think of women of color being described as edible objects all the time. I’ve never heard of a white woman being describe as a Vanilla Latte.
The painting is featured among the artist’s selected works below, which are accompanied by a literary pairing of her choosing. By transforming everyday signs into art, Adams revisits the negative connotations of words associated with otherness and, instead, reveals “the beauty and resilience of people to recreate, build and love.”
— Introduction by Mimi Wong, Enumerate Editor